Staithes early 2020…

A walk around Staithes in early 2020, with the trusty Minolta X-300, 45mm lens and a roll of Ultramax 400…

Wallflower
Staithes
Minolta X-300, Minolta 45mm lens
Kodak Ultramax 400
Lady J
Staithes
Minolta X-300, Minolta 45mm lens
Kodak Ultramax 400
On the line
Staithes
Minolta X-300, Minolta 45mm lens
Kodak Ultramax 400
Cowbar Pots
Staithes
Minolta X-300, Minolta 45mm lens
Kodak Ultramax 400
Gun Gutter
Staithes
Minolta X-300, Minolta 45mm lens
Kodak Ultramax 400
Shutters and Ladder
Staithes
Minolta X-300, Minolta 45mm lens
Kodak Ultramax 400
Tattered Flags
Staithes
Minolta X-300, Minolta 45mm lens
Kodak Ultramax 400
Harbour Cats
Staithes
Minolta X-300, Minolta 45mm lens
Kodak Ultramax 400

Sign of the times…

Covid-19 has certainly changed how we live and how we exist. Here in Staithes a tearoom now serves outdoors only and a keep left system is in operation, often ignored.

Keep Left – a sign of the times, Staithes
Minolta X-300, Photax Super Paragon 28mm Lens
Fujifilm Superia X-Tra Colour ISO 400

Disposable in Staithes

Some images from a while ago taken using a disposable camera from the retailer Boots. Though aimed at the ‘vintage loving’ corner of the market, I thought I’d give it a go.

I’m not exactly sure of the film which is being used in the camera. It has 27 exposures, the slight green cast in some lighting leads me to believe it is Kodak film probably ColourPlus 200 or similar.

Up Top, Staithes
Fallen, Staithes
Stacks, Staithes
Dumped, Staithes
Passge, Staithes
Give Me Some Rope, Staithes
Red Door, Staithes
Ephemera, Staithes

Delightful Dilapidation

No Parking, Staithes
Minolta X-300, Minolta 45mm lens
Kodak Ultramax 400

There’s just something about Staithes as a place. It’s a place that has captivated me since I was younger.

It’s a magical place and a place where I’ve spent an awful lot of time.

One of the many wonderful things about Staithes is things that may seem unattractive in some places take on a whole new artistic and delightful quality. Purely and simply down to, I think, the nature of the village. Such as this scene taken on film in early 2020, before the lockdown.

Grey-Blue Brick

Scoria Brick, Staithes
Minolta X-300, Minolta 45mm lens
Kodak Ultramax 400

Created from the slag produced in the steel making process, the waste at the bottom of the blast furnaces was initially used in order to create land mass in the more boggy areas of a burgeoning industrial Teesside. Then it was removed and used to create walls on the River Tees.

It was then used to form a rudimentary insulating product.

Darlington’s Joseph Woodward in 1872 formed the Tees Scoria Brick Company and was turning the slag into these distinctive shiny grey-blue bricks. They were fired for three days and formed the durable, waterproof and chemical proof bricks which still line many roads in the Tees Valley.

These bricks, from the company are some of the more plain items produced, there were some beautiful ornate designs including double hexagonal designs which locked together.

The company went bankrupt in the 1960’s and was wound up formally in 1972.

This is certainly the most stamped bricks I’ve seen in a “gutter” setting, and they sit opposite the former Post Office in Staithes, now the Kessen Bowl.